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A "Virtual World" Exhibition of the World's Foremost 20th Century Watercolour Botanical Artist.

The Barbara Everard Centenary Gallery logo
The Barbara Everard Virtual Centenary Gallery

The Artist at Work

Barbara was invited on many occasions to give lectures both on the botany and her craftsmanship of her watercolours. Below are some of the transparencies that she used to illustrate her talks. By the nature of the photographic exposure and digitization processes, some colours may not be as accurate as the original 

However, by examining the detail, one can observe the accuracy of the drawing and the use of Winsor and Newton watercolours. Rarely did she resort to using Chinese white. Where a highlight was needed, the whiteness of the cartridge paper was left clear and gradations of colour added to achieve a build up of ever darkening layers of colour, a technique that required immense preparation and planning. And yet, Barbara made it look so easy. To watch her achieve a full page colour wash around a pencil-drawn outline, while leaving uncoloured what would ultimately be a light reflection off a leaf or fruit, was magic.

Acer platanoides
Acer platanoides
Acer platinoides leaf detail
Acer platinoides leaf detail
Acer platanoides detail
Acer platanoides detail
Acer platanoides fruit detail
Acer platanoides fruit detail
Horse Chestnut
Aesculus_hippocastaneus
Horse Chestnut winter bud
Aesculus hippocastaneus winter bud
Horse Chestnut leaves
Aesculus hippocastaneus leaves
Horse Chestnut fruit on stem
Aesculus hippocastaneus fruit on stem
Horse Chestnut unopened fruit on stem
Aesculus hippocastaneus unopened fruit on stem
Horse Chestnut seed opening
Aesculus hippocastaneus seed opening
Horse Chestnut fruit opened
Aesculus hippocastaneus fruit opened
Horse Chestnut fruit and shell
Aesculus hippocastaneus fruit and shell
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2010

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